Louis Vuitton Murakami Multicolore Petit Noé blanc – the balance in a new paradigm of luxe and anime


Louis Vuitton Murakami Multicolore Petit Noé blanc

Louis Vuitton Murakami Multicolore Petit Noé blanc. Datecode: CA1015.
Text & Photo © CM Cordeiro 2014

Of all collaborations Marc Jacobs had done in the past decade till 2013 for Louis Vuitton with Stephen Sprouse, Takashi Murakami , Richard Prince and Yayoi Kusama, the Murakami range remains one of my favourites in terms of the execution of precision chaos in art if there ever was such a thing.

Not particularly attracted by poparstic works per se, what draws me to the Murakami Vuitton range is the result of the unusual synergies between traditional handcrafted work grounded in rich European travel history with all its roundness of sensory experience, and the contrasting surreal ‘flatness’ of animations of a completely different era in pop culture, from Japan. If these two worlds can come together in any sense of classical physics and philosophy, then almost anything else can come to be of other areas of unlikely synergies. And the results are a certain finesse of execution in design that is not symbolically regressive Mad Max grunge that comes across in Sprouse-Vuitton collaborations or Gaudí organic progressive reminiscent that comes across in Kusama.

Louis Vuitton Trianon Sac de Nuit GM


IMG_4696a 598

Louis Vuitton Trianon Sac de Nuit GM (grande model)
Text & Photo © CM Cordeiro 2014

The first thing you’d notice about this bag is how weighty the canvas and sturdy the construct of the bag is for its satchel size, where even in GM, it was clearly meant as something more fashionable heritage narrative than a luggage carry-on.

The Trianon Sac De Nuit was created and produced in limited edition in conjunction with the celebration of Louis Vuitton’s 150th anniversary, paying tribute to Vuitton’s early days of 1854 – 1892, when Vuitton began selling light weight flat-topped trunks covered with their signature grey Trianon canvas. Prior to Vuitton’s flat-topped trunks, most trunks for travelling had rounded tops so that water would run off, the disadvantage being that they could not be stacked. It was Vuitton’s Trianon canvas, airtight flat trunks that allowed stacking with ease, for voyages.

Louis Vuitton Monogram Vernis Koala wallet, framboise


Cheryl Marie Cordeiro, Louis Vuitton Monogram Vernis Koala wallet in framboise 01.

Louis Vuitton Monogram Vernis Koala wallet in framboise.
Text & Photo © CM Cordeiro-Nilsson 2014

The Framboise colour, a rich and beautiful shade of deep Raspberry, was launched in the Louis Vuitton Monogram Vernis line in 2006. The Koala wallet with its signature S-lock was one if not the most functional and stylish wallets of the Vernis line and definitely one of my favourite items in the Vernis line.

As with Vuitton craftsmanship, a detail about this wallet that I find absolutely charming is how the leather has been neatly pleated at each corner on the inner facing flaps of the billfold compartments.

Stalking Louis Vuitton

CHINA // France // Hong Kong // LOUIS VUITTON // Moda // Singapore // VIAJES

Cheryl Marie Cordeiro, 1O4P0095a

2013. Not unexpectedly, a Louis Vuitton outlet is located at Marina Bay Sands (MBS) Singapore. MBS which besides a large conference hotel and casino, features a long list of the world’s most famous luxury brands.
Text & Photo © JE Nilsson, CM Cordeiro 2013

I wonder what it is with sons of carpenters. One launches an entire institution of religion and the other, saves us from bad travel experiences and gives us the gift of luxurious, resilient travel bags.

The name Louis Vuitton evokes in me, not the large conglomerate fashion house with Nicholas Ghesquière (from 2013/4, who succeeded Marc Jacobs, from 1997) as artistic director of the empire, but rather the humble beginnings of the son of a carpenter who at age 14, in 1835, packed his bags in Anchay, Jura where he was born in France, and headed for Paris – on foot. He took odd jobs along the way to pay for food and lodging, all this while, perfecting his carpentry skills and expanding his knowledge on various types of wood.

400 km further away and one year later, Louis arrived in Paris to find a flourishing haute couture culture, where lavish and elaborate dressing was all the rage. It was here that he learnt to pack such elaborate outfits to perfection. And it was his dress packing skills and not foremost his carpentry skills that attracted the attention of Empress Eugénie. He became her favourite packer.

It was not long before he combined his dress packing skills with his carpentry skills to produce the first flat, stackable trunk for transportation. These stable and solid trunks were covered with grey Trianon canvas.



In the garden, in a light cotton tie dye skirt, as the Swedish west coast swings into early summer.
Text and Photo © JE Nilsson, CM Cordeiro 2013

May 18th, 2013

Spectrum ametrine


Mais que nada.
In a crochet top made by my mom and a pleated skirt by one of my favourite designers that was, Alexander McQueen. I adored McQueen for his brilliance.

Text and Photo © CM Cordeiro 2013

March 2nd, 2013

Capriccio for Carolina – classical notes that rock your soul


It isn’t that my interest in the field of fashion has waned over the years since I began my blog in 2007 thereabouts, but rather, a percolation of ideas had resulted since then with regards to fashion.

In previous years, I would experiment with fashion styles, fabrics and designs, today having perhaps settled into a general theme that evokes a frame of mind in terms of style and dress, I am more intrigued by the innovative processes of design in itself. I have little qualms mixing and matching fabrics and designs according to context of situation, not in the least, accounting for the weather conditions, and am also apt to carry an extra pair of shoes with me if and when possible – an idea I was introduced to as a form of social etiquette for formal Swedish dinner affairs, when people are expected to have proper indoor shoes that haven’t touched the (what I think are charming) cobbles of the streets outside.

So what captures my attention these days in the field of design and fashion is a sense of the creative. To that extent, I’ve been following behind the scenes, the New York and London Fall RTW collections, whilst at the same time, searching for new classical notes for my playlist.

There are a few designers that inspire me, Carolina Herrera being one of them. I’ve been a fan of Herrera’s collections for several years, where in enthusiasm for my summer in Barcelona 2011, I even packed in luggage to Montjuïc El Xalet, a clean pleat, black Carolina Herrera dress for IESE IFP’s closing dinner.

Following-up on her Fall 2013 RTW, I was this time around, floored not just by the clothes (her signature balance between conservative, long elegant lines and sultry femme), but the absolute soul rocking music!

Warm tribal


As warm as summer gets in Scandinavia.
Text and Photo © JE Nilsson and CM Cordeiro 2012

In a tribal print scarf, with cat.

Being feline.

July 25th, 2012

Early summer in vintage


In the early summer sun.
Text and Photo © JE Nilsson and CM Cordeiro 2012

It was in 2010 that Marc Jacobs brought nostalgia with hints of the 70s back into fashion, hot on the runways. Today in 2012, the the flavour of the 70s are still in on the runways from Diesel to Halston, whilst Louis Vuitton Fall 2012 makes romantic the long train voyages of the 1920s in reminiscence of a time that was in reality, filled with great uncertainty – such is the magic of fashion, to take viewers into a completely different world, even if briefly.

Swedish west coast winds that set sails luffing!


Wearing mostly vintage. Arden B. knitted top, vintage nautical belt and white cotton skirt with hand embroidered florals, also vintage.
Text and Photo © JE Nilsson and CM Cordeiro 2012

Windy! Typical at this time of year along the Swedish west coast, though nowhere near warm…The glow of the sun – thoroughly inviting!

A lifetime of romance in its old cut facets


An old cut diamond weighing ca. 1.90 ct, Top Cape, VS set in white gold with 18 modern brilliant cut diamonds set halfway down each side of the shank.
Text and Photo © JE Nilsson and CM Cordeiro 2012

I love old cut diamonds. There’s a depth of warmth about them that comes through even in dimly lit rooms compared to their flashier modern counterparts. It’s the way the cutting interacts with the light. A softer, calmer sparkle and glow rather than the hard busy flashes of the modern cuts.

Distinctive of old cut diamonds are the larger culet as you can see in the picture, where modern brilliants will have a very small or no culet at all. Most of them are also cut cushion shaped and not perfectly round, as they were not computer assisted cuts but rather, fashioned from the cutter’s understanding of the nature and shape of the stone. Original cutters of diamonds and jewels needed to a large extent have the eye of an artist who envisioned the polished stone in its finished state in all its dazzling glory. A skill that perhaps not many cutters of today possess since computers and mathematical formulae now distinguish the ideal cuts for a rough, rending stones that while may be full of sparkle, lacks in my view, a certain individual spirit and personality.

If you own an old cut stone, chances are, you will recognize it in any light as your own just by looking at it – the colour, the cutting, even by its inclusions. Luxury comes these days not in terms of how much you spend but also in terms of exclusivity that includes peculiarities and imperfections that in old cut diamonds, make them striking to behold. And diamonds with natural inclusions that mark them, giving them their own ID instead of a laser printed number are certainly unique by nature. So if you have an old cut diamond for example, a family heirloom of sorts, and have it resent into a new design, chances are even without loop in hand you won’t be fooled by any replacements, you’ll know it’s yours by eye.

Old cut diamonds also tend not to be as white as the modern brilliants, most of them having I, J, K, L colours or Top Cape, Cape colours. A feature that I have today, come to love.

This old cut diamond, acquired from Sotheby’s in Paris, has decades of narratives to tell, embodying romances across several lifetimes, reflected in its open cut and open flanked face.

All you need to do is pick it up,and read it.

February 11th, 2012



A pair of platinum diamond and purple amethyst ear drops.
Text and Photo © JE Nilsson and CM Cordeiro 2012

Jewellery has always had special significance in meaning as gifts in the Asian and Southeast-Asian cultures. From the early 1900s leading up to the First World War and subsequently the Depression years and then the period after the Second World War were difficult times in which food was strictly rationed and for those who could afford, jewellery was used to trade for other basic necessities. Even after the 1960s, the average family even in Singapore, where you could consider one of the more affluent countries in Southeast-Asia post World War II was certainly not cash rich. And it is during these years that I’ve heard the most number of family told stories of how gold jewellery and precious jade were pawned to keep food on the table for the family.

Wearing TOD’s in new light: Diego Della Valle’s “POLITICI ORA BASTA”


Cheryl Marie Cordeiro 02102011 490

When what you wear speaks the collective subconscious of the people: wearing TOD’s with a new sense of pride and purpose, much like an Aurora Borealis.
Photos © JE Nilsson and CM Cordeiro 2011

While I and many others in politics and business management alike have been preoccupied in getting adjusted to China’s recent rise to wealth and importance in the world, a full-page newspaper advertisement this Saturday (01012011) signed by the founder of Tod’s luxury leather goods, brought me back to the realization that it is not “poor China” that needs to be saved. They are doing just fine with a 10 percent annual growth in their economy. It is good old Europe that needs to be saved, if something.

In from the rain


Cheryl Marie Cordeiro in Donna Karen

Making it in through the front door just barely, from the sudden downpour.
Photos JE Nilsson and CM Cordeiro Nilsson © 2011

Tropical storms, the kind with flashes of lightning and deep rolls of thunder is common in the equatorial region from where I come from, but not all that common in Scandinavia, in particular along the Swedish west coast.

But today was one such day here in Sweden, with dramatic dark clouds, the low rumble of thunder that comforts and discomforts at the same time, and warm fat drops of rain that drench through clothes, thoroughly wetting the skin.

I managed barely to escape the rain stepping in through the door just when the first large drops of water fell.

Sunshine like clockwork…


Cheryl Marie Cordeiro green door 490

In this sunshine, even nautical stripes and tartan seem a likely fit!
Photos JE Nilsson and CM Cordeiro Nilsson © 2011

Along the Swedish west coast, the weather forecast for today was cloudy in the morning and sunshine from noon onwards. And who would’ve thought… they were right. Sunshine like clockwork.

Long summer’s nights, warming both body and soul…


Cheryl Marie Cordeiro-Nilsson, Indiska patch-work dress, Emilio Pucci bag.

In an Indiska by Jade Jagger patch-work dress and Emilio Pucci bag.
Photo: JE Nilsson and C M Cordeiro-Nilsson © 2011

Luckily in Sweden, together with the long winter’s nights comes the equally long summer’s nights.

The Midnight Sun and the Nordic Light are recognized concepts that both refer to the long evenings that seamlessly transforms into almost sunlit nights, that after allowing for quick skinny-dips in the sea eventually develops into equally magical mornings where the birds contest each other in all manners of the word, telling their females that specifically his nest will be the one best suited for a family. You ponder at the meaning of life and the beauty of it all and you think these evenings are so ideally suited to be spent in the garden, talking to friends and philosophizing on things that are, that you can almost, but just barely, forgive the climate gods that created the winters of this place.

Dame Vivienne Westwood, Anglomania glitter…


Cheryl Marie Cordeiro-Nilsson, Vivienne Westwood, Celine.

As if caught in mid-sentence, trailing off in an idea… Dame Vivienne Westwood’s seemingly haphazardness in her designs…a thing thrown in, a loose fold swinging… is what draws me to her creations. She is one of my favourite designers that exude an anything goes attitude that conceals the meticulousness behind each creation.
Photo: J E Nilsson and C M Cordeiro-Nilsson © 2011

While the Easter Witches were out…


Cheryl Marie Cordeiro-Nilsson, long weekend, Sweden.

A much appreciated long weekend in Sweden!
Photo: J E Nilsson and C M Cordeiro-Nilsson © 2011

With a caffè latte in hand, I couldn’t help but sit back, enjoy the weather today and observe with delight, plenty of Swedish children decked in their cutest Easter gear, as little Easter Witches. Several were daring enough to come trick or treating at the door with basket in hand, to which they were rewarded with some Italian made Easter chocolate eggs!

A winter’s day at noon, in Sweden

Moda // SWEDEN

Cheryl Marie Cordeiro-Nilsson mink fur and pleated skirt, both made in Canada.

Sweden’s position near the arctic polar circle makes the days short during winter and the sun just barely makes it above the horizon. Soaking up some sun beams in our garden. A useful outfit in this weather, a Canadian mink jacket and pleated red wool skirt.
Photo © JE Nilsson and C M Cordeiro-Nilsson for CMC 2011

I first visited Sweden during some winter months about a decade ago – imagine how time passes – and my first observation was that walking on water was not by far as difficult as that of my Catholic upbringing had led me to believe. You just needed to wait until it was frozen. Today work and travel make it difficult to find much time to spend in the nature during daytime. A few moments of crystal clear sky and crisp winter air just a few degrees below zero centigrade, was some of the more enjoyable moments of this weekend.

Sweden’s position near the arctic polar circle makes the days short during winter and the sun just barely makes it above the horizon, before it apparently a bit sleepy, drops back down again and leaves us with a long arctic night. No wonder the Vikings felt a mid-winter sacrifice – and a party – were needed to cheer things up.

Even in Asia, at the end of January, the East celebrates the Chinese Lunar New Year. This year some shops in Singapore will even go the length of closing their doors a few days to welcome the festive echoes of Lion Dances rippling across the country in celebration of the Year of the Rabbit. Also a ‘sacrifice’ of some sort.

Fabrics of Southeast-Asia


Cheryl Marie Cordeiro-Nilsson, in batik and sari / saree shawl.

In various shades of pinks – traditional silk dyed batik and batik sarong with a sari shawl. Outfit is by Francis Louis Ler of Amor Meus, Purvis Street, Singapore.
Photo © JE Nilsson and C M Cordeiro-Nilsson for CMC 2010

Colours of the cultures of Asia never fail to bring a smile on my face and put me in a festive mood, from the colourful saris of India, to the brightly hand painted silks of the Chinese qipao and the intricately patterned, waxed drawn batiks of Indonesia and Malaysia. Even the colours and texture of raw silk from Thailand draw my attention when I see them.

Travel staples: Ferragamo Vara and Hélène Rancé 1795


Ferragamo Vara pumps, Hélène Rancé 1975 eau de parfum, Chanel 2.55

Ferragamo Vara pumps in nude beige and a small bottle of Rancé 1795 Hélène eau de parfum
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

When it comes to packing for my travels nowadays the ideal for me is to go very light. If I could get away with a pair of pants and a skirt for three weeks abroad on business with some alternative tops, I would certainly go for that.

But this isn’t all that easy if the countries that you’re going to range widely in terms of temperatures as in winter in Sweden, autumn in China, and humid tropical weather, in Singapore.

Autumn blues in Filippa K and Isabel Benenato


Cheryl Marie Cordeiro, Filippa K dress, Louis Vuitton Suhali L'Impétueux 2.

Autumn outfit: dress is by Swedish designer Filippa K and wool shawl by Naples born Italian designer Isabel Benenato.
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

These pictures were taken a few days ago, after which the Swedish west coast turned grey, stormy and with winds so strong the trees needed effort to stay rooted and keep their last red-gold leaves of the season, if not only for decorating themselves.

Cheryl Marie Cordeiro, Isabel Benenato wool wrap shawl, back.

The green fabric belt with gold buckles in the outfit is a find from a vintage store here in Sweden.

From the pictures, you’ll also see the characteristic colours of autumn displayed in yellows, browns, reds and gold. The low rays of the sun at this time of year helps cast an over glow of gold on everything it touches. There are however, other complementary colours of autumn that we see here in Scandinavia, particularly in Swedish design houses such as Filippa K that favour shades of beige, grey, blue and black for autumn as shown in their Autumn 2010 Lookbook, with some exceptions, the sheer gathered dress I’m wearing can be found in lilac.

Neutrals from Winter 2010 to Spring 2011


Cheryl Marie Cordeiro in Karen Millen turtle neck and Marc Jacobs bag.

For Milan, it’s not just neutrals for winter, but for Spring 2011!
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

I’ve always loved Milan fashion showings with its cutting edge technology in fabrics, colour, cuts and shapes! And while winter hasn’t even hit Europe, looking at various fashion magazines and style columns in the Swedish news, I think we’re all pretty much excited about the up and coming fashion trends for Spring 2011.

Cheryl Marie Cordeiro, Marc by Marc Jacobs bag.

Part of what contributes to this excitement for Spring 2011 in Sweden is that Milan, known for their more flamboyant colours styles with the likes of Pucci, Just Cavalli and Gucci, have this time around come up with surprisingly neutral shades with minimalist shapes – a very Swedish, very Scandinavian take when it comes to design. A number of daringly solid black for spring outfits are also showcased in the collections of Bottega Veneta and No. 21.

FENDI Zucca, jacquard hobo in monogram brown


Fendi Zucca Chef shoulder bag.

The Fendi Zucca Chef bag.
Photo © C M Cordeiro-Nilsson for CMC 2010

For anyone looking for a convenient grab bag, one that is roomy and can take the wear and tear of everyday use, I would like to recommend the Fendi Zucca Chef. This nifty bag is one of the few hobo bags that has caught my attention lately with its softer, more rounded shape than my regular choice of LV’s.

Fendi Zucca Chef bag, zipper tag.
Fendi Zucca Chef bag, pleats.

Despite what I thought it looking rather small when it sat on the shelves, the good point with its soft and flexible walls is that it can indeed accommodate quite a few irregular shaped objects such as an SLR camera, wallet, notepad, the latest Stieg Larsson, a foldable umbrella and more, we might find indispensable any certain day.

In the office with Cat, Dolce Gabbana and Vivienne Westwood


Cheryl Marie Cordeiro in Vivienne Westwood dress, Dolce & Gabbana skirt, Roberto Cavalli heels, Tod's grained leather bag.

Our Norwegian Forest Cat walks in to say hello! (Where’s my food?)
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

Dress codes for the office varies from culture to culture and even from organization to organization. Just about forty years ago in Singapore, women were not allowed to wear pants or slacks to the office, the garments being deemed as too masculine and too unladylike. But the strict rule for ‘skirts only’ to the office for women in Singapore was relaxed around the 1970s and women were allowed to wear pants to work, on Fridays. It was from here that the concept of ‘dress-down Friday’ came about in Singapore, where for women at least, they could skip the skirts and opt for slacks that gave them greater freedom of movement.

In Sweden too dress codes vary between organizations. In some academic circles the codes are almost comically lax, where the higher echelons are so entirely focused on the minds of individuals that one can almost expect that the more bizarre a person dresses, the more unique and valuable their expertise. In the corporate world, values are fairly measured compared to academic circles, and people tend to dress in reflection of their position and work demands, steering towards what fits the occasion.

The myth that a Swedish CEO would arrive to a business meeting in t-shirt, clogs and jeans, is generally an exaggeration. For most of the time, it’s pretty much ‘do as you like’, as long as it is ‘lagom’. However any ‘dress-down Friday’, I have yet to see and my Friday last was anything but.

Cheryl Marie Cordeiro in Vivienne Westwood, Dolce & Gabbana. Norwegian Forest Cat.

Before stepping out the door with Cat.

One of my current favourite outfits is a Vivienne Westwood asymmetrical dress, gathered at the side seams and falling to the knees, a Dolce & Gabanna tulip skirt (over the bottom of the Westwood dress) and Roberto Cavalli black patent stiletto heels. A large Tod’s shoulder bag in cream calf grained leather is useful for files and laptop alike. A simple pair of pearl and diamond earrings to complement this outfit.


Moda // SWEDEN

Cheryl Marie Cordeiro, highpoint, Swedish west coast.

Battling the wind!
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

Cheryl Marie Cordeiro, high point, Swedish west coast hp1.

One of our favourite things to do, is to go out taking pictures when the weather turns really dramatic. There was no real storm today as there can sometimes be along the Swedish west coast, but it was certainly WINDY! Us picking the highest available viewpoint of course brought out some extra shows of temperament among the local pagan weather gods.

Swedish westcoast archipelago

Moda // SWEDEN

Cheryl Marie Cordeiro, Swedish westcoast 1

In a moss green maxi halter dress along the Swedish westcoast archipelago.
Photo © JE Nilsson and CM Cordeiro-Nilsson for CMC 2010

I was greeted by a tepid tropical rainstorm when I landed, the weather being unusually warm and playful even as Swedish summers go. It felt surreal that I didn’t need to put on any cardigan on my way home.

Cheryl Marie Cordeiro, Swedish westcoast 2

After the hectic weeks spent in Singapore at the heart of Asia, where everything seemed to move at double speed, being back in Sweden offered an instant breather. For one thing, you can sit and watch the sail boats go by without having a need to know where they’re off to or when they’ll return.

In the sun


Cheryl Marie Cordeiro 490, plum tree, Sweden.

In the garden, finally, after a long and cold winter
Photo © JE Nilsson for Cheryl Marie Cordeiro 2010

It’s just about approaching summer here in Sweden, where garden parties and the hearty aroma of barbeque grilled meat will soon fill the air. As is, the southern archipelago of the Swedish west coast is experiencing its fair share of tourists these days, with the ferries filled with people speaking different languages, all wearing their summer gear of shorts, sleeveless t-shirts and sandals.

Here, I’m all casual in a nautical striped dress from Zara. The nautical theme is somewhat of a summer staple in Sweden, with Swedish designers such as Filippa K having their take on it. Even the mid-range H&M have their annual summer nautical range to choose from.

Cheryl Marie Cordeiro in a nautical Zara dress and Chloe shoes.

The dress I’m wearing features nautical stripes in white and navy, with a drape neck to the front and an exposed zip to the back of the dress. The bottom of the dress is cut like a pencil skirt, ending just above the knee. I’ve paired the dress with a pair of blue strappy wooden heels from Chloé and a goldtone bangle from Dyrberg Kern of Denmark. The blue suede belt is vintage.

Plum tree flowers, Sweden spring summer 2010.

The neighbourhood is currently in full bloom, these are white plum blossoms that promise a great harvest come autumn.

May 24th, 2010

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