Cheryl Marie Cordeiro

Spring 2018 in a Karen Millen silk floral dress.
Text & Photo © JE Nilsson, CM Cordeiro 2018

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In a vintage Tricosa dress, 1970s, Paris, made in France.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

Continue reading “Autumn, Swedish west coast 2016” →

Evening read. In the background, portrait of English cellist Jacqueline du Pré (1945-1987) by Yngve Werner Ericson [1].
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2016

“The international labor movement is not against globalisation; indeed we would agree that globalisation can be a big part of the answer to the problems of the world’s poor. But it is also a big part of the problem. In other words, globalisation is neither entirely beneficial nor entirely harmful. It is not an unstoppable force of nature, but is shaped by those who set the rules. And while it has the potential to help life more than 2 billion people out of poverty, it is not doing so now.” [2]

References
[1] Ericson, Y. W. Interview with Yngve Werner Ericson, GALLERIROND våren 2006 Zenit, kulturtidningen i väst. Internet resource at http://www.zenitkultur.com/artist.php?id=396. Retrieved 30 Jan. 2016.
[2] Jordan, B. (2000). Yes to globalization, but protect the poor. New York Times. Internet resource at http://www.nytimes.com/2000/12/21/opinion/21iht-edjordan.t.html. Retrieved 30 Jan. 2016. Cited in Peter Van Den Bossche, 2008,The Law and Policy of the World Trade Organization. Text, Cases and Materials. 2nd edition. Cambridge University Press, p 11.

On the sun deck, Styrsö.
Just one of those lovely Nordic days to spend outdoors, under the sun.
Text & Photo © JE Nilsson, CM Cordeiro, Sweden 2015

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Mais que nada.
In a crochet top made by my mom and a pleated skirt by one of my favourite designers that was, Alexander McQueen. I adored McQueen for his brilliance.
Text and Photo © CM Cordeiro 2013

An old cut diamond weighing ca. 1.90 ct, Top Cape, VS set in white gold with 18 modern brilliant cut diamonds set halfway down each side of the shank.
Text and Photo © JE Nilsson and CM Cordeiro 2012

I love old cut diamonds. There’s a depth of warmth about them that comes through even in dimly lit rooms compared to their flashier modern counterparts. It’s the way the cutting interacts with the light. A softer, calmer sparkle and glow rather than the hard busy flashes of the modern cuts.

Distinctive of old cut diamonds are the larger culet as you can see in the picture, where modern brilliants will have a very small or no culet at all. Most of them are also cut cushion shaped and not perfectly round, as they were not computer assisted cuts but rather, fashioned from the cutter’s understanding of the nature and shape of the stone. Original cutters of diamonds and jewels needed to a large extent have the eye of an artist who envisioned the polished stone in its finished state in all its dazzling glory. A skill that perhaps not many cutters of today possess since computers and mathematical formulae now distinguish the ideal cuts for a rough, rending stones that while may be full of sparkle, lacks in my view, a certain individual spirit and personality.

If you own an old cut stone, chances are, you will recognize it in any light as your own just by looking at it – the colour, the cutting, even by its inclusions. Luxury comes these days not in terms of how much you spend but also in terms of exclusivity that includes peculiarities and imperfections that in old cut diamonds, make them striking to behold. And diamonds with natural inclusions that mark them, giving them their own ID instead of a laser printed number are certainly unique by nature. So if you have an old cut diamond for example, a family heirloom of sorts, and have it resent into a new design, chances are even without loop in hand you won’t be fooled by any replacements, you’ll know it’s yours by eye.

Old cut diamonds also tend not to be as white as the modern brilliants, most of them having I, J, K, L colours or Top Cape, Cape colours. A feature that I have today, come to love.

This old cut diamond, acquired from Sotheby’s in Paris, has decades of narratives to tell, embodying romances across several lifetimes, reflected in its open cut and open flanked face.

All you need to do is pick it up,and read it.

When what you wear speaks the collective subconscious of the people: wearing TOD’s with a new sense of pride and purpose.
Photos © JE Nilsson and CM Cordeiro 2011

While I and many others in politics and business management alike have been preoccupied in getting adjusted to China’s recent rise to wealth and importance in the world, a full-page newspaper advertisement this Saturday (01012011) signed by the founder of Tod’s luxury leather goods, brought me back to the realization that it is not “poor China” that needs to be saved. They are doing just fine with a 10 percent annual growth in their economy. It is good old Europe that needs to be saved, if something.
Continue reading “Wearing TOD’s in new light: Diego Della Valle’s “POLITICI ORA BASTA”” →

In this sunshine, even nautical stripes and tartan seem a likely fit!
Photos JE Nilsson and CM Cordeiro Nilsson © 2011

Along the Swedish west coast, the weather forecast for today was cloudy in the morning and sunshine from noon onwards. And who would’ve thought… they were right. Sunshine like clockwork.
Continue reading “Sunshine like clockwork…” →

As if caught in mid-sentence, trailing off in an idea… Dame Vivienne Westwood’s seemingly haphazardness in her designs…a thing thrown in, a loose fold swinging… is what draws me to her creations. She is one of my favourite designers that exude an anything goes attitude that conceals the meticulousness behind each creation.
Photo: J E Nilsson and C M Cordeiro-Nilsson © 2011

Continue reading “Dame Vivienne Westwood, Anglomania glitter…” →

Ferragamo Vara pumps in nude beige and a small bottle of Rancé 1795 Hélène eau de parfum
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

When it comes to packing for my travels nowadays the ideal for me is to go very light. If I could get away with a pair of pants and a skirt for three weeks abroad on business with some alternative tops, I would certainly go for that.

But this isn’t all that easy if the countries that you’re going to range widely in terms of temperatures as in winter in Sweden, autumn in China, and humid tropical weather, in Singapore.
Continue reading “Travel staples: Ferragamo Vara and Hélène Rancé 1795” →

For Milan, it’s not just neutrals for winter, but for Spring 2011!
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

I’ve always loved Milan fashion showings with its cutting edge technology in fabrics, colour, cuts and shapes! And while winter hasn’t even hit Europe, looking at various fashion magazines and style columns in the Swedish news, I think we’re all pretty much excited about the up and coming fashion trends for Spring 2011.

Part of what contributes to this excitement for Spring 2011 in Sweden is that Milan, known for their more flamboyant colours styles with the likes of Pucci, Just Cavalli and Gucci, have this time around come up with surprisingly neutral shades with minimalist shapes – a very Swedish, very Scandinavian take when it comes to design. A number of daringly solid black for spring outfits are also showcased in the collections of Bottega Veneta and No. 21.

Continue reading “Neutrals from Winter 2010 to Spring 2011” →

Our Norwegian Forest Cat walks in to say hello! (Where’s my food?)
Photo © J E Nilsson and C M Cordeiro-Nilsson for CMC 2010

Dress codes for the office varies from culture to culture and even from organization to organization. Just about forty years ago in Singapore, women were not allowed to wear pants or slacks to the office, the garments being deemed as too masculine and too unladylike. But the strict rule for ‘skirts only’ to the office for women in Singapore was relaxed around the 1970s and women were allowed to wear pants to work, on Fridays. It was from here that the concept of ‘dress-down Friday’ came about in Singapore, where for women at least, they could skip the skirts and opt for slacks that gave them greater freedom of movement.

In Sweden too dress codes vary between organizations. In some academic circles the codes are almost comically lax, where the higher echelons are so entirely focused on the minds of individuals that one can almost expect that the more bizarre a person dresses, the more unique and valuable their expertise. In the corporate world, values are fairly measured compared to academic circles, and people tend to dress in reflection of their position and work demands, steering towards what fits the occasion.

The myth that a Swedish CEO would arrive to a business meeting in t-shirt, clogs and jeans, is generally an exaggeration. For most of the time, it’s pretty much ‘do as you like’, as long as it is ‘lagom’. However any ‘dress-down Friday’, I have yet to see and my Friday last was anything but.

Before stepping out the door with Cat.

One of my current favourite outfits is a Vivienne Westwood asymmetrical dress, gathered at the side seams and falling to the knees, a Dolce & Gabanna tulip skirt (over the bottom of the Westwood dress) and Roberto Cavalli black patent stiletto heels. A large Tod’s shoulder bag in cream calf grained leather is useful for files and laptop alike. A simple pair of pearl and diamond earrings to complement this outfit.
Continue reading “In the office with Cat, Dolce&Gabbana and Vivienne Westwood” →

Bridesmaids in a summer wedding, in light blue dresses.
Photo © Kevin D. Cordeiro for Cheryl Marie Cordeiro 2010

A girlfriend of mine excitedly told that she had been asked to be bridesmaid at a friend’s wedding, which of course immediately raised the question of “What to wear?”. And to answer that isn’t all quite that easy.

Personally I think it is ultimately up to the bride to tell what kind of wedding she has in mind. So as a bridesmaid, I think one should just listen carefully and then try to help make the big day everything that the happy couple had hoped it to be.

Brides come in an array of personalities and a most perfectly sane woman might turn completely unrecognizable when it comes to her wedding. So there are some real bridezilla’s out there and then there are some who just want the whole thing to be a big happy family get-together and plan the whole event with the guests in focus rather than themselves. I definitely can’t say there is a right or wrong here, but I think a little bit of both is probably ideal. And when it comes to the bridesmaids dresses, I think it is really is up to the bridal couple to decide how they want the entire event to look and feel.

Personally I think the overall colour scheme is the most important consideration, since the bride will pretty much be flanked by her maid of honour and the bridesmaids throughout the whole event and it is good if they look like a nice group together. I like to think of the key women in the wedding as a flower bouquet, where the bride is the central flower and the surrounding group should be as complimentary as possible. In this way they and their dresses are the focal point of the whole event. The rest is just setting the stage so to speak, so that you give the guests a “good show”.

A bundle of ribbon tied Lilacs for the bridesmaids.

This way of looking at it gave me a lot of options when I planned my own wedding in 2006. Basically, the early summer date with its fresh leafy greens and light blue sky set the tone, and I went looking for something graceful, elegant and as feminine as the early buds of May and most important, the bridesmaids should look “approachable”, since they would be the ones who would be there to deal with any tasks or requests of fixing or fetching anything that the guests might need.

My final choice fell on a strapless light blue chiffon dress that had a side rosette detail. The choice of low heeled white shoes to go with that dress was the bridesmaids’ own and a very wise one too, considering all the walking they would do through the day.

Chiffon dresses with rosette details, by Jessica McClintock.

Again looking only at my own setting, which happened to be on an island in the western Swedish archipelago, everything in our plans needed to be founded on that fact. With a different place setting, you would naturally need to base decisions on that location and its surrounding context. Where we were, we didn’t even have cars since they are strictly banned by the private community that owns everything here right down to the roads and beaches.

For the flower bouquets to the bridesmaids, we went for fresh lavender and cream coloured Lilacs from our own garden, snipped, bundled and tied together with a ribbon. It was all part of the fun to get together, sit down and tie them up and I had let the girls decide what kind of bouquets they were going to carry and how large they wanted the bouquets to turn out.

With flowers and blue silk ribbons in their hair.

In line with that my bridesmaids should look splendidly pretty, our hair dresser styled their hair with flowers and blue silk ribbons. The small white flowers, like the lilacs in their homemade bouquets were snugly interwoven with the blue ribbons into half buns into the girls’ hair in a hairstyle that was intended to be as functional as it was beautiful, the purpose of the half bun was to get the hair out of their face for the day, yet keep the length of their hair draped down their napes.

No cars allowed here as all roads are privately owned. The mode of transportation for the day was a three wheeled transportation moped.

Maid of Honour in lilac.

My maid of honour chose her outfit herself, which turned out to be a perfect fit with our theme and surrounding. I feel flattered and happy when guests go out of their way to dress up as gloriously as they can. In my view, nobody can outdress a bride at her own wedding anyway, so I would say just dress up and enjoy yourself! The more people in colourful and glamorous wear, the more festive the atmosphere!

Maid of Honour, holding the bride’s flower bouquet during the wedding ceremony.

Champagne session, prior to dinner.

Basically, your own wedding should be the best and most memorable party you are likely to ever host, so if I would have a say in anyone’s plans, that would be for the bride and groom to plan it themselves, together, and look as little as possible to what anyone else wants. Make it your own, and just have fun every step of the way. Bridesmaids and maids of honour are to help in realizing that dream event.

So, for anyone’s bridesmaids dresses? Well, just figure out what makes the bride’s eyes sparkle, and go for that.