Potato Gratin á la mode

Potato gratin without pre-cooking potatoes and onions

Potato Gratin has fallen a bit in disrepute after a decade of largely misdirected health consciousness. This Quick and dirty version of potato gratin might be just the right thing to go with a hearty beef dinner, flanked by a deep red and powerful Chianti.
Photo © Jan-Erik Nilsson and Cheryl Cordeiro-Nilsson for Cheryl Marie Cordeiro 2010

Everything goes in circles and so do trends in cooking. Not long ago two crossed carrots on a white plate was the height of fashion. Then health obsession made people think that the fat we eat is the same as that we put on our hips, so we were supposed to eat carbohydrates instead, as if a diet of pasta, bread and artificial sweeteners would make us slim. Then carbohydrates became bad and the focus turned to meats and not just any types of meat but lean white meat.

Since I arrived in Sweden about ten years ago I have had reason to question the wisdom in food trends. A quick glance through family photos tells me that throughout the ages people have lived long and healthy lives eating whatever they liked and cooking anything they liked, whether Kway Chap or pineapple tarts, so long as they did not overeat. Julia Child and her husband, Paul Cushing Child for example lived past the age of 90 based on a French diet full of butter, butter and more butter!

So in this spirit I felt I would like to revive a potato classic, just an ordinary gratin that will fit neatly with just about any solid piece of meat you can think of. No dainty dishes, but solid meat based ones. Food that goes ‘- Mooooo!’ in the dark.

The problem with the Internet, I have just noticed, is that it doesn’t differentiate between good or bad when you search and the number of useless recipes has by some kind of magic just quadrupled over the last few months. By reading them I see that many authors are just making fun of you, wasting your time, can’t cook, have for some reason of their own left out some key ingredient, or by a plain stupidity just written that you should use one kg of lard instead of one tbs. None of which are likely to improve your mood if you are in a rush to double-check something while hearing that your dinner guests have just arrived to the driveway outside of your house.

So I’ll share my way of cooking this dish in a basic way, easy to check, and with the spiced up gourmet variation after the main recipe that you can pick ideas from.

Potato Gratin in its basic form is not exactly rocket science so I’ll give it to you straight.

You’ll need

  • 8-10 potatoes
  • 1/2 – 1 onion
  • 100 to 200 grams (1-2 cups) of grated hard cheese
  • 1-2 cloves of garlic
  • 1/2 liter milk mixed with cream
  • Butter for the tin
  • Salt and ground black pepper to taste

Potatoes  and onions, Potato Gratin with Parmiggiano and Gorgonzola

Sliced potatoes, 1/2-1 onion and 1 garlic clove. (Toss the butt).

Garlic in potato gratin

Put potato and onion slices in a buttered oven safe pot.
Add garlic, salt and pepper.

Cheese-in-potato-gratin

Cover with grated cheese.

Milk-in-potato-gratin

Pour milk and cream mixture into the pot, stir, flatten the mixture and check that the liquid is just barely visible among the potato slices. Bake.

Cooking time for this pot is 30 minutes with no cover + 30 minutes with cover. Temperature ca 200 centigrades. Cover the pot when it has got the colour you like. Check for ready with a stick.

Then what about the gourmet non quick and dirty way you might ask?

If you would like to improve on this basic version here’s my suggestion:

You’ll need

  • 8-10 potatoes
  • 3-4 shallots
  • 1 cup of grated Parmigiano
  • 2 cloves of garlic
  • 350 ml milk mixed with cream
  • Butter for the tin
  • 1/2 tbs salt and 10 twists of ground black pepper (to taste).

Start with braising 3 sliced shallots and 2 chopped up cloves of garlic in butter, add some cream mix by and by until you have a nice stew. Add in the potato slices and the remaining cream mix plus salt and pepper. Stir and slow cook under lid for about 15 minutes. Now the thin potato slices should be almost done. Pour this mixture into a buttered pan. Bake in ca 200 centigrade until it starts taking color, then drizzle with grated Parmigiano cheese and bake until done.

In this way you will reduce the total cooking time while adding some more fiddling on your part. The sweet shallots will be mostly unnoticeable in the gratin. Parmigiano is a unique cheese in that it does not melt or get stringy while adding a delicious crust and while containing a natural flavour enhancer will add sparkle to the dish.

Tricks of the trade.

The fattiness of this dish is depending on how you pre-fry the onions, amount of fat in the pot, amount and type of cheese and the mixture of cream and milk. Half and half cream and milk usually gives an ok result while more cream will give a fuller taste. Too much fat will honestly give a very old fashioned feel to this dish. Too much onion might be overbearing and overpower the dish you might want to serve with the gratin so shallots might be a good idea. Be careful with the salt, depending on the cheese you might want to skip adding extra salt altogether.

Chef’s secret: add a dollop of Gorgonzola if you serve this with meat.

Gorgonzola and Parmiggiano mix, Potato Gratin served with beef

For flavour when planning to serve with beef, mix some Gorgonzola with the grated hard cheese

potato-gratin-2

Potato gratin gourmet style with braised shallots and cream cooked potato slices, oven baked to golden brown perfection under a generous dusting of Parmigiano-Reggiano cheese.

This version of the Potato Gratin is smoother and takes a shorter baking time in the oven as all ingredients are pre-cooked. Perfect for individual serving in a bowl too, where smaller oven friendly bowls can each be topped with cheese and baked just prior to serving.

Cheryl’s recipe to Apricot and Raisin Buns

Apricot and raisin buns recipe at Cheryl Marie Cordeiro

Apricot and raisin bun – one of my favourite fruit buns!
Photo © Jan-Erik Nilsson and Cheryl Cordeiro-Nilsson for Cheryl Marie Cordeiro 2010

Fruit filled buns have always been a favourite of mine ever since I was a little girl bouncing from bakery to bakery around the neighbourhood with my mother in Singapore. The heartland bakeries in Singapore where the likes of the Bengawan Solo bakery chain has sprung, produce some of the simplest yet most flavourful cakes and buns for Sunday afternoon tea. It was always convenient to grab a small box of your favourite cakes on display that cost next to nothihng at all, to have with the family at home.

With Easter upcoming only a few weeks away, I thought I’d share a variation of the hot cross bun recipe, one that has been adapted from traditional Swedish cookbooks to my liking.

Spring tulips, Sweden 2010

Early spring tulips.

These buns are just about palm sized, not too large that they fill you up completely, but large enough to pass the afternoon before dinner.

Ingredients

  • 700g flour
  • 1 tsp salt
  • *2 tsp ground cardamom
  • *2 tsp ground cinnamon
  • (* you could also substitute ground mixed spice)

  • 100g unsalted butter
  • 85g sugar
  • 15g yeast
  • 1 egg for glazing the buns
  • 300ml milk
  • 150g raisins and dried apricots (or mixed dried fruit if you like)

I begin by melting the butter and warming it together with the milk till the butter dissolves. This is then taken off the heat and set aside to cool to about 40 deg C or slightly cooler. In a mixing bowl, goes the yeast, the spices and sugar. When the butter and milk are cool, it’s added to the mixing bowl and stirred till all is dissolved. Then goes in the flour till the dough is of a sticky but not too firm consistency. Cover with a tea towel and set aside in a warm area of the room to rise and double in size. This should take about 2 hours.

Once the dough has risen, I deflate it in the bowl itself and begin to knead it, adding the dried fruits. Since I like the buns to be packed with fruits, I tend to add quite a bit of dried fruits to the dough!

At this point, you could have a small weighing scale with you if you’d like perfectly weighted buns. Otherwise, you can size out the buns approximately by pinching a portion of dough and rolling it into a ball in the palm of your hand. Arrange these balls of dough on a baking tray lined with baking paper. Cover with a tea towel to let rise again, which should take 15 to 30 minutes. You can now begin to preheat the oven to about 200 deg C.

Glaze the buns with the beaten egg (some use egg with a little milk) just before putting them in the oven. As a variation, you can dust castor sugar over the buns – just as I had them when growing up – before baking. The buns are done once they’re golden brown on the top, which should take around 15 minutes.

This makes for a simple afternoon baking activity and the buns are best served when just cooled off the rack with a cup of cold milk.

Enjoy!

Early Spring and a craving for ice-cream!

Early spring 2010, Swedish westcoast

Early spring 2010, Swedish westcoast.
Photo © Jan-Erik Nilsson for Cheryl Marie Cordeiro 2010

There is a hint of early Spring in the air along the Swedish westcoast that awakens the senses. No doubt, the weather is still crisp and chilly, but the sun is already there and getting warmer, the days are getting longer too, and all this has awakened a personal craving in me for – ice-cream!

Stracciatella, Pipersglace, Swedish ecological ice-cream

Pipersglace, Swedish produced ice-cream that rivals any good Italian gelato.

As part of our haul from the Passion för Mat, 2010 food fair, we failed to resist some tubs of Pipersglace that are Swedish organically produced ice-cream in a variety of creamy flavours and sorbets.

Pipersglace ice-cream with cloudberry jam

Decadent Pipersglace ice-cream, eaten with a warm molten dollop of cloudberry jam.

Being a fan of Italian gelato, a teaspoon of this smooth Swedish made emulsion told us that its flavour and texture rivaled some of the best gelati we’ve ever had in Italy. And yes, this family run organization (by the Ciprian-Olevik family) in Sweden has been making their ice-creams since the early 1900s based on Italian recipes.

Blackcurrant sorbet, Swedish ecological ice-cream, Pipersglace.

Blackcurrant sorbet – rich, flavourful and just beautiful to scoop out of its tub with all natural ingredients, no synthetic or artificial stuff at all!

A quick check on the ingredients list renders a surprisingly short list of authentic ingredients, milk, cream, sugar, eggs and flavour (such as chocolate or fruit). Nothing much else. Artificial ingredients are distinctly missing in the contents list, a feature that is increasingly asked for in today’s health aware Swedish society where clean, fresh, pure and natural food is considered one of the most important features of good cooking. In this movement, Western Sweden is at the forefront and rapidly moving towards more organically produced foods from meat, fish, vegetables and dairy products, where all of this has been much encouraged by the Western Swedish Academy of Gastronomy.

We’ve found Ciprian’s Pipersglace to provide the goodness of natural homemade ice-cream without the hassle of having to make it yourself. Our only complaint so far is that there might have been just a tad too little chocolate chips among the natural vanilla flavoured cream and sugar content in their stracciatella to our taste. But perhaps that was just a temporary coincidence. Anyway, I believe we’ll know for sure before this summer is over.

The producers suggest that the perfect moment to eat this ice-cream is when it just begins to melt in the cup. We couldn’t agree more.

Passion för Mat: for food enthusiasts 26-28 Feb., in Gothenburg, Sweden

Fredrik-Andersson-PFM-2010 Best Meat Chef 2009

Award winning Best Meat Chef of the Year 2009, Fredrik Andersson, at Råda Säteri, was one of today’s celebrity chefs at the public cooking school organized at the Passion for Food Fair. After the demonstration we were all invited to sample the results.
Photo © Jan-Erik Nilsson and Cheryl Cordeiro-Nilsson
for Cheryl Marie Cordeiro 2010

Today was spent alongside the harbour front at Eriksbergshallen in Gothenburg Sweden. This hall was a part of the old Eriksbergs shipyard that was located here from the late 19th century. It has been given a face lift and been turned into a modern medium sized exhibition hall for specialist events that will not kill your feet or take days to cover. This time the hall was filled to the brim with the best locally produced, first class gourmet food that Sweden could muster. The fair is aimed at professionals, gourmet chefs and restaurants, and basically anyone with a serious interest in first class food.

If you’re a food enthusiast with a sincere interest in the culinary field, you’ll not be disappointed. This is the third consecutive year that this fair is held in Gothenburg and with the best stalls thus far.

It wouldn’t be too far fetched a guess that this food fair will soon create a niche for itself as a ‘must do’ event on the Scandinavian culinary scene. So I’d suggest that you take a look in the calender for next year if you are heading this way and try to make it to this event if it fits with your other plans and general interests.

Kanolds-Chili-Tryffel

Chili flavoured chocolate tryffels at the Flickorna Kanold stand. No freebies though, but I actually didn’t ask. Brilliant chocolates though.

The exhibitors and organizers had gone out of their way to present something extraordinary for visitors. The atmosphere was friendly and warm and left you with if feeling that you had just said hello to a bunch of friends. The samples and free tidbits were very generously supplied. One of many that encompassed the traditional food fair feeling of generous samples and a happy smile, was Heberleins delicatessen.

Cheryl-Marie-Cordeiro-and-Marie Heberline

Cheryl Marie Cordeiro and Marie Heberlein. Testing smoked sausage from the Heberleins Delicatessen.

Passion för Mat, Göteborg, Gothenburg Food Fair 2010, Heberleins

A sample taste of smoked sausage from Heberleins Delicatessen.

But there were more sample foods – everything from pumpkin and pomegranate soup to grilled meat and chocolate with dessert wines – than one could possibly consume in a span of a few hours. I thought the ample food samples a positive approach since it encourages visitors to try something new and encourage them at the same time, to bring something that they love back home with them.

Passion för Mat, Göteborg, Gothenburg Food Fair 2010, Svenska Gårdar kött

Local produce, meat from Svenska Gårdar.

The special focus this year are Swedish local produce from meat, diary products, fruit, vegetables and poultry. As a country that is advanced in ecological and green living, the fair promises to educate and make available produce that is both environmentally friendly and heart-friendly.

Passion för Mat, Göteborg, Gothenburg Food Fair 2010, Peppers

Displays that entice, yellow and red peppers stand at Svenska Gårdar’s stall while a chef puts meat on the grill.

One of the aims of the fair this year is to inspire visitors and home cooks to want to do more in their own kitchen, trying new foods such as wild game and elk / moose meat. Wild meat is still considered exotic by most Swedes where people tend to shy away from cooking as not much general knowledge is available on how to make a presentable dish out of such meats.

Michael Kors for Fall 2010

Michael Kors Fall 2010, gold, long

Gold in long silhouette.
All photos are from Style.com

I’ve been following the New York Fashion Week for Fall 2010 and by far, my favourite designs for Fall this year have emerged from Michael Kors.

It isn’t the extravagance and the use of furs that catches my attention, but rather the confidence to use those furs and not being apologetic about it is what floors me! It is this daring that is carried through in his designs that I find makes the collection coherent and desirable.

Michael Kors Fall 2010, textured gold.

Textured gold knit.

I’ve always been a huge fan of drapes and easy, clean-lined designs as seen in my favourite for AW 2009, Donna Karan. Michael Kors had this concept too reflected in his Fall 2010 collection, but added texture and a touch of luxury that most anyone would appreciate during this drought of an economic crisis.

Pure shining, metallic gold is a major theme in his collection and being a fan of that colour, particularly for shoes, I’m lapping it up and wondering where I can get my hands on a slinky piece of gold clothing already now, before the spring hits!

Louis Vuitton Review: Murakami white multicolore keepall 45

Louis Vuitton Murakami blanc white multicolore keepall 45, photography

The Murakami Keepall 45 in blanc. Product number: M92640.
Photo Jan-Erik Nilsson, Cheryl Cordeiro-Nilsson for Cheryl Marie Cordeiro © 2009

Launched in 2003 with cooperative efforts between Marc Jacobs and Japanese pop artist Takashi Murakami, the Murakami canvas comes in a white or black background. The multicolore canvas took on several different forms amongst which was the classic Keepall 45.

Louis Vuitton Murakami blanc white multicolore keepall 45, bright

Measuring 17.7″ x 10.6″ x 7.9″, the Keepall 45 is the smallest of the classic Louis Vuitton Keepall range that was launched in 1924. The largest of this range is the Keepall 60 in chocolate brown Monogram Canvas at 23.6″ x 13″ x 10.2″.

Q&A: Louis Vuitton Multicolore vs. Vernis

Louis-Vuitton-Greta

Louis Vuitton Multicolore, White and Black Greta.

Question

Dear Cheryl,
 
Nice to meet you.
 
I found your website because I was searching for comments for Louis Vuitton. I am currently thinking of buying a long wallet, either pink Vernis or Multicolour black or Multicolour white. I love Vernis but I know it is very easy to get dirty and colour-transfers. Multicolour white is nice but black is more durable. Which would you recommend as the better buy that is more durable?
 
I love your style and taste. I am looking forward for your reply.
 
Regards,
Crystal

Answer
Dear Crystal,

Thank you for your email and for your kind compliments.

Louis-Vuitton-Stephen-Sprouse Vernis coin purse

Louis Vuitton Stephen Sprouse Monogram Vernis Roses collection coin purse.

The LV Vernis is also one of my favourite ranges, because I think it gives the ‘glam’ factor without costing as much as the Suhali range for example. The Vernis line is also one that is colourful and their products tend to change colours according to seasons. Their Stephen Sprouse Monogram Vernis Roses collection is quite eye-catching!

In my experience, all LV things will eventually show wear and tear even with careful use. In that sense, I wouldn’t worry too much about it if you’re not thinking about resale. Of course darker coloured Vernis like the Amarante will probably keep better where colour transfers might be less visible. Black Multicolore might also be more durable in that sense, though both the black and white Multicolore ranges have vachetta leathers that will darken over time with use.

Whether to buy Multicolore or Vernis is really a personal choice, as the ranges have different wallet / purse styles. Personally, I prefer the Vernis range, though I have several white Multicolore items, preferring the white to the black background.

Hope that helps and happy wallet hunting at LV!

With best wishes,
Cheryl

Ushering in the Year of the Tiger 2010 on Valentine’s Day!

Silk embroidered cheongsam qipao, Chinese New Year 2010, Cheryl Marie Cordeiro Nilsson

In a red silk embroidered cheongsam for the Chinese New Year and upcoming St. Valentine’s Day, 2010.
Photo Jan-Erik Nilsson, Cheryl Cordeiro-Nilsson for Cheryl Marie Cordeiro © 2009

I’m definitely feeling the Lunar New Year vibes all the way from Singapore, where stores are already keeping open for longer hours during the days leading up to Chinese New Year’s Eve that is this Saturday!

The Chinese New Year or Spring Festival is the most important of the traditional Chinese holidays lasting for 15 days that ends with the Lantern Festival and with a large Chinese population in Singapore, one could expect the festivities of this weekend in the city to be vivacious with more than just the Chinese enjoying the celebrations.

Packet noodles with a twist

Egg noodles with shrimp and poached egg.

Egg noodles with shrimp and poached egg.
Photo Jan-Erik Nilsson, Cheryl Cordeiro-Nilsson for Cheryl Marie Cordeiro © 2009

A small seasoned piece of instant noodles was given to me from its package and I was munching on these newfound chips for the first time, without even knowing what it was. This style of eating dried hardened noodles was introduced to me by a schoolmate, after running around the school playground together and I thought the dried noodles, rather a large biscuit to be broken into smaller bits and eaten like biscuit crumbs from the bag. The packet had a blue monster on the front much like Cookie Monster, but with a red nose, the brand, Mamee, and I was six years old. It was to be four years later when I realized that instant noodles were normally eaten in a bowl.

Feminine power behind the veil: who’s voices are we hearing?

Niqab

Photo from Photobucket.

Growing up in a multi-racial, multi-religious and as such, multi-ethnic dress codes nation as Singapore, I never thought twice about each ethnic group’s choice of dress, they being normalized as part of the larger socio-cultural fabric of Singapore from when I was very young. The hijab worn by Muslim women in Singapore is most common, where I understood from fellow female classmates who were Muslim, that it was a matter of personal choice what to wear and when to begin wearing their hijabs.

The niqab and the burqa however would draw slightly more attention in Singapore even today, because of its fuller head to toe covering. But being pragmatists, Singaporeans are most likely to ponder its practicality in choice of clothes worn under the sometimes punishing tropical heat and humidity, wondering how the wearer would fare under those layers of dress when those in t-shirts, shorts and sandals have problems keeping talcum fresh?

The debate around the niqab and the burqa in Europe, most notably because of France’s consideration on banning the burqa, comes from an array of perspectives other than practicality of dress, from how the dress does not conform to the European cultural identity (a point of view that is highly debatable considering the mobility of people these days), to religious freedom without steering towards radicalism and perhaps the most common theme, the head to toe covering as a means of the oppression of women:

“It will not be welcome on French soil,” he said.” We cannot accept, in our country, women imprisoned behind a mesh, cut off from society, deprived of all identity. That is not the French republic’s idea of women’s dignity.” ~ French President Nicholas Sarkozy, in an article by Emma Jane Kirby BBC News, 22 January 2010.

From the Swedish Prime Minister, Fredrik Reinfeldt and leader of the Swedish Social Democratic Party, Mona Sahlin:

“Det är ett uttryck för kvinnoförtryck, [it is a sign of opression of women] sade Reinfeldt i en debatt med Socialdemokraternas ledare Mona Sahlin i Sveriges Radio.”

“Mona Sahlin vill inte ha något förbud av den typen i Sverige, men anser också hon att heltäckande slöja är uttryck för kvinnoförtryck.” [Mona Sahlin does not want a ban of this type in Sweden, but it is her opinion too that a fully covering veil is sign of female opression] ~ Dagens Nyheter published on 27 January 2010.

The same opinion is put forth by Norska Arbeiderpartiets spokesperson on immigration, Lise Christoffersen, i Aftenposten.

As a linguist I can’t help noticing that three of the most important political leaders in Scandinavia are not arguing against female oppression, but against the symbol for it.

From Daily Telegraph writer James Delingpole is also of the point of view of Sarkozy, noting,

‘The freedom’ [Obama] is granting US Muslim women to wear the veil is in fact the most surefire way of guaranteeing their continued subservience. ~ also in Finding Dulcinea

And while the humanitarian intentions are positive on the surface so long as no deeper political motives are uncovered, the perspective of the veil as oppression is not difficult to understand from those who do not wear it in their culture. And as social constructionism (Berger and Luckmann, 1966) would have it, it would be down right difficult for us who do not have the burqa in our culture to view it any other way than as oppressive, our point of view being coloured by our ‘reality’. Even I would feel more comfortable in a qipao and kebaya than a full covering of the burqa, simply because the former ethnic dresses are part of my cultural heritage whilst the latter isn’t. Any fuller coverings than what I think is already a modest long sleeved, ankle brushing kebaya would make me feel restricted in movement and worse, contribute to a feeling of complete loss of my social identity where I become faceless and voiceless.

But for those whose socio-cultural and religious heritage means bearing the niqab and the burqa, how powerless and subservient are the women behind the veil really?